Features: 

Virtual Vi offline set up – Set up your shows offline and load them into the Vi3000 via USBVM2 radio mic status monitoring – Monitor the status of SHURE ULX-D and QLX-D and HiQnet-compatible AKG radio mics directly from the console surface with realtime visual displays of battery life, RF status, mic muting and internal clipping.BSS DPR901ii Dynamic EQ – this acclaimed industry-standard DEQ is built in as standard with 8 instances available for inserting on any input or output channel. The DEQ can be used at the same time as the existing channel EQ and Dynamics sections.Copy/Paste channel bus and FX settings – Dedicated Copy and Paste buttons on the surface allow the settings of any channel, bus or FX section to be copied and pasted, dramatically cutting down the set up time.Copy/Paste processing elements – Operators can drill down to copy and paste even single processing elements, and the last paste operation can always be quickly reversed with an UNDO function.Settings Library – Along with a useful library of EQ and Dynamics settings, operators can store their own settings in the console or to a USB memory stick, making initial set up and transition between shows even easier.Sophisticated Cue List Management – Allows changes to be applied to multiple cues and recall scope to be set per snapshot.Advanced events integration – Cues can trigger or be triggered by MIDI or GPIO events, including MIDI timecode. Harman’s HiQnet Venue recall function is tightly integrated within the Cue List.Automated microphone mixing – STUDER vMIX processing is built-in, with ability to seamlessly process up to two separate groups of 16 inputs, with clear and intuitive metering showing gain reduction.Snapshot crossfades – Snapshot recalls can use crossfades to transition smoothly from one setting to the next.ViSi Remote iPad® app – Control major functions and optimise your mix from anywhere in the venue. Adjust monitor levels from the stage. Includes control of EQ Dynamics and metering overview.All busses to stereo – All busses can be turned to stereo without tying up two busses, providing a massive 24 stereo mix capability – perfect for mixing large monitor applications.4 Aux send points – With a total of 4 aux send points, monitor mix engineers have the flexibility to tailor mixes more closely to performers’ requirements. Sends can be pre-EQ, precompressor, pre-fade or post-fade on a per channel/per bus basis.Aux VCA mode – VCA master faders can control the aux sends of their member channels on a per mix basis, with a FaderGlow illuminating in white to indicate the VCA’s operation on the current mix. Monitor engineers can retain control of important global elements such as ambient mics while also having a monitor mix selected and adjusting groups of sources within the current mix using the Aux-VCAs. Blue illumination of FaderGlow indicates that the VCA is controlling the global channel level to all mixes.Auto-increase of ambient mic levels in monitor mixes between songs – Performers using in-ear monitors want to hear the audience between songs. No problem. Vi3000 has the facility to externally control the Gate or Ducking processing from a bus in the console, so all you have to do is insert a ducker on an ambient mic with an external source of the LR bus or a spare bus, and the audience level increases automatically when the performers stop playing.